N'diyaye's newly restored Aqua, from a 16mm print, focuses on the patient labor of men engaged in creating beauty out of fished and found objects through craft and repurposing. This poetic meditation and prime example of Senegalese ecocinema is part of the filmmaker's collection of shorts Tresors des poubelles (Treasures from the Trash, 1989)

特效制作水平低下，画面模糊不清，严重影响了观影体验。

影片中的情感线细腻而真实，让人感动不已。

从观感上讲，Aqua越往后越好看一点，不是那种开头强后面散的感觉，至少不是那种一眼劝退的类型。

本来只是随便看看，本来是看演员阵容才点开Aqua ，结果故事本身也不算拉胯，没什么特别硬伤。